Friday, January 24, 2020

Brazils Current Film Industry :: essays research papers

In this paper I will discuss Brazil and it’s current film industry. I will elucidate its role in the Brazilian economy, and also what part the government deals in the industry itself. Certain Brazilian films will be given as representations towards my theories. Within a year of the Lumiere brother’s ‘first experiment’ in Paris in 1896, the cinematograph machine appeared in Rio de Janeiro. Ten years later, the capital boasted 22 cinema houses and the first Brazilian feature film, The Stranglers by Antonio Leal, had been screened. From then on Brazil’s film industry made continuous progress and, although it has never been large, its output over the years has attracted international attention. In 1930, still the era of the silent movie in Brazil, Mario Peixoto’s film, Limite was made. Limite is a surrealistic work dealing with the conflicts raised by the human condition and how life conspires to prevent total fulfillment. It was considered a landmark film in the Brazilian cinema history. In 1933 Cinedia produced The Voice of Carnival, the first film with Carmen Miranda. This film ushered in the ‘chanchada’ which dominated Brazilian cinema for many years. Chanchada’s were the slapstick comedies, generally filled with musical numbers and thoroughly cherished by the public. By the end of the 1940’s Brazilian film making was becoming an industry. The Vera Cruz Film Company was created in Sao Paulo with the goal of producing films of international quality. It hired technicians from abroad and brought back from Europe, Alberto Cavalcanti, a Brazilian filmmaker with an international reputation to head the company. Vera Cruz produced some important films before it closed in 1954, among them the epic O Cangaceiro which won the "Best Adventure Film" award at Cannes Film Festival in 1953. In the 1950’s, Brazilian cinema radically changed the way it made films. In his 1995 film, Rio 40 Graus, director Nelson Pereira dos Santos employed the filmmaking techniques of Italian non realism by using ordinary people as his actors and by going to the streets to shoot his low budget film. He would become one of the most important Brazilian filmmakers of all time, and it is he who set the stage for the Brazilian ‘cinema novo’ (an idea in mind and a camera in the hands) movement. By 1962 ‘cinema novo’ had established a new concept in Brazilian filmmaking. The ‘cinema novo’ film’s dealt with themes related to acute national problems, from conflicts in rural areas to human problems in the large cities, as well as film versions of important Brazilian novels. At the end of the 1960’s, the Tropicalist movement had taken hold of the

Thursday, January 16, 2020

Practice Analysis of ‘Pleasantville’ Movie

‘Pleasantville’ is an expertly crafted film in which one can appreciate and be exposed to the social issues America faced during the 1950’s. The courtroom scene towards the end of the film successfully encapsulates the essence of the film: a characters transformation from repression to enlightenment. While the costumes present a distinction between the ages, the contrasting colours express various emotions of each character. Each character possesses a differing level of awareness about their true roles which become apparent as the film progresses.The use of colour in ‘Pleasantville’ signifies both personal and political change. The colours associated with each character are evocative of their personal attributes and self-discovery. Mary Sue is seen wearing blue, a colour which connotes wisdom and understanding. This can be contrasted with how Mary Sue was depicted previously in the film; she embodied all that was ‘wrong’ during the 1950â €™s, a socially repressed era. The black and white characters reflect a far more conservative and traditional take on the world, in their eyes women’s only role is to bear children and to take care of the home.Despite the discrimination against those who are coloured, one cannot deny upon watching the film that they are clearly more liberated and alive. David’s blue shirt mirrors his assertiveness, control, and genuine determination to save all those who had not yet discovered their true selves. Bill’s coloured skin contrasted with his white clothing demonstrates an alternate approach to achieving a ‘coloured’ world to David, for he remains fairly impartial throughout the court case, emphasising his desire for compromise.The attention to detail of the use of colour throughout the film highlights the racial discrimination and the civil rights movements of the 1950’s. It is interesting to remark upon the fact that during the court room scen e it is all the coloured characters sitting in the upper gallery, this being where the African-Americans had to sit in US courthouses at that time. With regards to the judge himself, he appears to be a victim of his own mania.His violent speech regarding the colours which were used by David and Bill merely reveals the richness of his own repressed emotions. His inherent rage is revealed as he turns from black and white to colour; we can appreciate his obstinacy to permit change through this colour transformation. We are positioned with the people of colour in this narrative. The strict regulations of society during the 50’s are represented by those painted in black and white, meanwhile those in colour contrast the 50’s to depict the liberated 90’s.The birth of popular culture erupted during the 1950’s; Teenagers became more independent of their parents, conflict between the desires of the parents and the teenagers increased and this eventually established the term ‘generation gap’ to appear in American English during the 1960s. As a consequence of living in an era in which presentation and how people conducted themselves was treated with the upmost reverence, it is imperative to remark upon the use of costume design in the film.Those ‘coloured’ characters tend to be shown wearing rather more adventurous, provocative outfits, something which would have been frowned upon during this era in which the adaption to the most minor changes such as costume is impossible. The costumes are appropriate to the pseudo-1950s TV-setting. We must remember that the colours and designs are heightened and exaggerated and are not intended to be naturalistic in order to convey a convincing political argument and emphasise upon the need for change and reform in society.The camera action throughout the film is of notable importance, especially when considering the court room scene. The high angle shot in which the judge looks down on David and Bill portrays the power and dominance of those who have abided by the rules and stuck to the traditional conventions of society. However, as David gains confidence he is framed in a low-angle shot thereby making him appear to be the authoritative figure in control. Increasingly, David dominates the frame. The inclusion of the extended close-up shot of George enables the audience to engage with his emotional release.Editing also supports dialogue in this clip, an example being when David is speaking of his mother, the film cuts to a shot of Betty. This heightens the emotional essence of the scene, and encourages the audience to applaud David’s courage and essential goodness. Furthermore, editing also confirms the separation of black and white and colour until the end of the scene when all characters unite and emerge into a coloured world, filled with emotion and diversity. The presence of music in this particular scene differs depending on the emotions of the cha racters.Music acts as an emotional release; laughter within the courtroom at the end of the scene establishes unity among the people and signifies the end of the crisis. Moreover, the non-diegetic music of the birds tweeting as the characters exit the court room and are exposed to a coloured world is immensely refreshing and promotes the idea of a new beginning. The looks between George and Betty in this scene cannot be ignored, here the non-diegetic music is romantic and underscores the climactic moment in which George turns from black and white to colour.Throughout the film music reflects the mood. The scene at Lover’s lane is filmed with rather seductive and sensual music in order to encourage the audience to appreciate that the younger generation were undergoing not only a personal transformation but also embarking on a sexual journey. In conclusion, ‘Pleasantville’ represents a parody of contemporary problems whilst reflecting common fears and fantasies abou t life, God, and freedom. Essentially sex is equated with freedom.In addition, we can appreciate that pain brings risk but also liberation; the art of fiction too liberates various characters which we can appreciate is somewhat ironic given the characters themselves are situated in a television programme. Moreover, one cannot deny ‘Pleasantville’ essentially satisfies all expectations with regards to film watching; it provides entertainment whilst also sending across a political message and portraying a vivid image of life in the 1950’s.

Tuesday, January 7, 2020

Types Of Ambulatory Care Settings And Describe What They Do

list seven different types of ambulatory care settings and describe what they do, 1. Asc Development Company, LLC is the Spine Center it provides all surgical treatments through a third party, in which they perform over 24 different services on the nervous system as its specialty. The company provides and average services per patient of 4.7 overhauled, this is an excellent rating according to the top ambulatory health care facilities, pain provider in Maryland. 2. Plastic Surgery Center of Maryland this facility is known around the area, and is largely in demand, taking into consideration the plastic surgery procedures and cosmetic non-surgical procedures, such as breast augmentation, breast lift, and reduction. Also, face Blepharoplasty, brow lift, facelift, and rhinoplasty. Next the body image in general abdominoplasty, calf implants and liposuction, and other non-surgical procedures (Plastic surgery center). 3. Snowden River Surgery Center is an ophthalmologists group with the best doctors dedicated to improving the quality of life for people challenged by vision problems. They perform cataract surgery, pterygium surgery, YAG capsulotomy, glaucoma, macular degeneration, contact lenses, and they also provide a complete eye exam. As well as performing restor lenses, tecnis Multifocal lenses, and other minor treatment for eye conditions (Snowden Surgical Center) 4. Summit Ambulatory Surgical Center-Chesapeake Urology they offer patients high-quality care in a comfortable,Show MoreRelatedKimbrough Ambulatory Care Center Essay1001 Words   |  5 Pages10/5/2012 Kimbrough Ambulatory Care Center Kimbrough ambulatory care center is an Army base medical care center for most health needs. It is a facility in which all ambulatory care may be performed. This means it excludes emergency care and long term or overnight care. 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